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Note: In the first paragraph of chapter 25 there is a one line typo, which has been marked
in square brackets.
“David Selig, an academic who never quite made it, is as Jewishly self-revealing as
Portnoy, but his complaint is different: ever since he was a lad he could read people’s minds, a
facility that he found great fun at first but gradually came to regard as something of a curse . . . a
marvelously entertaining read.”
—London Evening Standard
“Robert Silverberg’s award-winning novel
Dying Inside
is one of the best-written sf
novels in many years: affected with warm insight and told with the rare virtue of human
sensibility. David Selig, the telepath, is no stock character from the rag-bag of sf stereotypes; his
solitary disaster becomes for the reader more immediate and effecting than any number of
exploding reactors.”
—Christopher Priest
Oxford Mail
Dying Inside
by
Robert Silverberg
ONE.
So, then, I have to go downtown to the University and forage for dollars again. It doesn’t
take much cash to keep me going—$200 a month will do nicely—but I’m running low, and I
don’t dare try to borrow from my sister again. The students will shortly be needing their first term
papers of the semester; that’s always a steady business. The weary, eroding brain of David Selig
is once more for hire. I should be able to pick up $75 worth of work on this lovely golden
October morning. The air is crisp and clear. A high-pressure system covers New York City,
banishing humidity and haze. In such weather my fading powers still flourish. Let us go then, you
and I, when the morning is spread out against the sky. To the Broadway-IRT subway. Have your
tokens ready, please.
You and I. To whom do I refer? I’m heading downtown alone, after all.
You and I.
Why, of course I refer to myself and to that creature which lives within me, skulking in its
spongy lair and spying on unsuspecting mortals. That sneaky monster within me, that ailing
monster, dying even more swiftly than I. Yeats once wrote a dialogue of self and soul; why then
shouldn’t Selig, who is divided against himself in a way poor goofy Yeats could never have
understood, speak of his unique and perishable gift as though it were some encapsulated intruder
lodged in his skull? Why not? Let us go then, you and I. Down the hall. Push the button. Into the
elevator. There is a stink of garlic in it. These peasants, these swarming Puerto Ricans, they leave
their emphatic smells everywhere. My neighbors. I love them. Down. Down.
It is 10:43 A.M., Eastern Daylight Savings Time. The current temperature reading in
Central Park is 57°. The humidity stands at 28% and the barometer is 30.30 and falling, with the
wind northeast at 11 miles per hour. The forecast is for fair skies and sunny weather today,
tonight, and tomorrow, with the highs in the low to middle 60’s. The chance of precipitation is
zero today and 10% tomorrow. Air quality level is rated good. David Selig is 41 and counting.
Slightly above medium height, he has the lean figure of a bachelor accustomed to his own meager
cooking, and his customary facial expression is a mild, puzzled frown. He blinks a lot. In his
faded blue denim jacket, heavy-duty boots, and 1969-vintage striped bells he presents a
superficially youthful appearance, at least from the neck down; but in fact he looks like some sort
of refugee from an illicit research laboratory where the balding, furrowed heads of anguished
middle-aged men are grafted to the reluctant bodies of adolescent boys. How did this happen to
him? At what point did his face and scalp begin to grow old? The dangling cables of the elevator
hurl shrieks of mocking laughter at him as he descends from his two-room refuge on the twelfth
floor. He wonders if those rusty cables might be even older than he is. He is of the 1935 vintage.
This housing project, he suspects, might date from 1933 or 1934. The Hon. Fiorello H.
LaGuardia, Mayor. Though perhaps it’s younger—just immediately pre-war, say. (Do you
remember 1940, Duvid? That was the year we took you to the World’s Fair. This is the trylon,
that’s the perisphere.) Anyway the buildings are getting old. What isn’t?
The elevator halts grindingly at the 7th floor. Even before the scarred door opens I detect
a quick mental flutter of female Hispanic vitality dancing through the girders. Of course, the odds
are overwhelming that the summoner of the elevator is a young Puerto Rican wife—the house is
full of them, the husbands are away at work at this time of day—but all the same I’m pretty
certain that I’m reading her psychic emanations and not just playing the hunches. Sure enough.
She is short, swarthy, maybe about 23 years old, and very pregnant. I can pick up the double
neural output clearly: the quicksilver darting of her shallow, sensual mind and the furry, blurry
thumpings of the fetus, about six months old, sealed within her hard bulging body. She is flat-
faced and broad-hipped, with little glossy eyes and a thin, pinched mouth. A second child, a dirty
girl of about two, clutches her mother’s thumb. The babe giggles up at me and the woman favors
me with a brief, suspicious smile as they enter the elevator.
They stand with their backs toward me. Dense silence.
Buenos dias, señora.
Nice day,
isn’t it, ma’am? What a lovely little child. But I remain mute. I don’t know her; she looks just
like all the others who live in this project, and even her cerebral output is standard stuff,
unindividuated, indistinguishable: vague thoughts of plantains and rice, this week’s lottery
results, and tonight’s television highlights. She is a dull bitch but she is human and I love her.
What’s her name? Maybe it’s Mrs. Altagracia Morales. Mrs. Amantina Figueroa. Mrs. Filomena
Mercado. I love their names. Pure poetry. I grew up with plump clumping girls named Sondra
Wiener, Beverly Schwartz, Sheila Weisbard. Ma’am, can you possibly be Mrs. Inocencia
Fernandez? Mrs. Clodomira Espinosa? Mrs. Bonifacia Colon? Perhaps Mrs. Esperanza
Dominguez. Esperanza. Esperanza. I love you, Esperanza. Esperanza springs eternal in the
human breast. (I was there last Christmas for the bullfights. Esperanza Springs, New Mexico; I
stayed at the Holiday Inn. No, I’m kidding.) Ground floor. Nimbly I step forward to hold the door
open. The lovely stolid pregnant chiquita doesn’t smile at me as she exits.
To the subway now, hippity-hop, one long block away. This far uptown the tracks are still
elevated. I sprint up the cracking, peeling staircase and arrive at the station level hardly winded at
all. The results of clean living, I guess. Simple diet, no smoking, not much drinking, no acid or
mesc, no speed. The station, at this hour, is practically deserted. But in a moment I hear the
wailing of onrushing wheels, metal on metal, and simultaneously I pick up the blasting impact of
a sudden phalanx of minds all rushing toward me at once out of the north, packed aboard the five
or six cars of the oncoming train. The compressed souls of those passengers form a single
inchoate mass, pressing insistently against me. They quiver like trembling jellylike bites of
plankton squeezed brutally together in some oceanographer’s net, creating one complex organism
in which the separate identities of all are lost. As the train glides into the station I am able to pick
up isolated blurts and squeaks of discrete selfhood: a fierce jab of desire, a squawk of hatred, a
pang of regret, a sudden purposeful inner mumbling, rising from the confusing totality the way
odd little scraps and stabs of melody rise from the murky orchestral smear of a Mahler
symphony. The power is deceptively strong in me today. I’m picking up plenty. This is the
strongest it’s been in weeks. Surely the low humidity is a factor. But I’m not deceived into
thinking that the decline in my ability has been checked. When I first began to lose my hair, there
was a happy period when the process of erosion seemed to halt and reverse itself, when new
patches of fine dark floss began to sprout on my denuded forehead. But after an initial freshet of
hope I took a more realistic view: this was no miraculous reforestation but only a twitch of the
hormones, a temporary cessation of decay, not to be relied upon. And in time my hairline
resumed its retreat. So too in this instance. When one knows that something is dying inside one,
one learns not to put much trust in the random vitalities of the fleeting moment. Today the power
is strong yet tomorrow I may hear nothing but distant tantalizing murmurs.
I find a seat in the corner of the second car, open my book, and wait out the ride
downtown. I am reading Beckett again,
Malone Dies;
it plays nicely to my prevailing mood,
which as you have noticed is one of self-pity.
My time is limited. It is thence that one fine day,
when all nature smiles and shines, the rack lets loose its black unforgettable cohorts and sweeps
away the blue for ever. My situation is truly delicate. What fine things, what momentous things, I
am going to miss through fear, fear of falling back into the old error, fear of not finishing in time,
fear of revelling, for the last time, in a last outpouring of misery, impotence and hate. The forms
are many in which the unchanging seeks relief from its formlessness.
Ah yes, the good Samuel,
always ready with a word or two of bleak comfort.
Somewhere about 180th Street I look up and see a girl sitting diagonally opposite me and
apparently studying me. She is in her very early twenties, attractive in a sallow way, with long
legs, decent breasts, a bush of auburn hair. She has a book too—the paperback of
Ulysses,
I
recognize the cover—but it lies neglected on her lap. Is she interested in me? I am not reading her
mind; when I entered the train I automatically stopped my inputs down to the minimum, a trick I
learned when I was a child. If I don’t insulate myself against scatter-shot crowd-noises on trains
or in other enclosed public places I can’t concentrate at all. Without attempting to detect her
signals, I speculate on what she’s thinking about me, playing a game I often play.
How intelligent
he looks. . . . He must have suffered a good deal, his face is so much older than his body
. . .
tenderness in his eyes . . . so sad they look . .
.
a poet, a scholar. . .
.
I bet he’s very passionate . .
.
pouring all his pent-up love into the physical act, into screwing.
. . .
What’s he reading? Beckett?
Yes, a poet, a novelist, he must be
. . .
maybe somebody famous.
. . .
I mustn’t be too aggressive,
though. He’ll be turned off by pushiness. A shy smile, that’ll catch him.
. . .
One thing leads to
another. . . . I’ll invite him up for lunch. . . .
Then, to check on the accuracy of my intuitive
perceptions, I tune in on her mind. At first there is no signal. My damnable waning powers
betraying me again! But then it comes—static, first, as I get the low-level muzzy ruminations of
all the passengers around me, and then the clear sweet tone of her soul. She is thinking about a
karate class she will attend later this morning on 96th Street. She is in love with her instructor, a
brawny pockmarked Japanese. She will see him tonight. Dimly through her mind swims the
memory of the taste of sake and the image of his powerful naked body rearing above her. There is
nothing in her mind about me. I am simply part of the scenery, like the map of the subway system
on the wall above my head. Selig, your egocentricity kills you every time. I note that she does
indeed wear a shy smile now, but it is not for me, and when she sees me staring at her the smile
vanishes abruptly. I return my attention to my book.
The train treats me to a long sweaty unscheduled halt in the tunnel between stations north
of 137th Street; eventually it gets going again and deposits me at 116th Street, Columbia
University. I climbed toward the sunlight. I first climbed these stairs a full quarter of a century
ago, October ‘51,
a terrified high-school senior with acne and a crew-cut, coming out of
Brooklyn for my college entrance interview. Under the bright lights in University Hall. The
interviewer terribly poised, mature—why, he must have been 24, 25 years old. They let me into
their college, anyway. And then this was my subway station every day, beginning in September
‘52
and continuing until I finally got away from home and moved up close to the campus. In
those days there was an old cast-iron kiosk at street level marking the entrance to the depths; it
was positioned between two lanes of traffic, and students, their absent minds full of Kierkegaard
and Sophocles and Fitzgerald, were forever stepping in front of cars and getting killed. Now the
kiosk is gone and the subway entrances are placed more rationally, on the sidewalks.
I walk along 116th Street. To my right, the broad greensward of South Field; to my left,
the shallow steps rising to Low Library. I remember South Field when it was an athletic field in
the middle of the campus: brown dirt, basepaths, fence. My freshman year I played softball there.
We’d go to the lockers in University Hall to change, and then, wearing sneakers, polo shirts,
dingy gray shorts, feeling naked amidst the other students in business suits or ROTC uniforms,
we’d sprint down the endless steps to South Field for an hour of outdoor activity. I was good at
softball. Not much muscle, but quick reflexes and a good eye, and I had the advantage of
knowing what was on the pitcher’s mind. He’d stand there thinking,
This guy’s too skinny to hit,
I’ll give him a high fast one,
and I’d be ready for it and bust it out into left field, circling the bases
before anyone knew what was happening. Or the other side would try some clumsy bit of strategy
like hit-and-run, and I’d move effortlessly over to gather up the grounder and start the double
play. Of course it was only softball and my classmates were mostly pudgy dubs who couldn’t
even run, let alone read minds, but I enjoyed the unfamiliar sensation of being an outstanding
athlete and indulged in fantasies of playing shortstop for the Dodgers. The
Brooklyn
Dodgers,
remember? In my sophomore year they ripped up South Field and turned it into a fine grassy
showplace divided by a paved promenade, in honor of the University’s 200th birthday. Which
happened in 1954.
Christ, so very long ago. I grow old . . . I grow old . . . I shall wear the bottoms
of my trousers rolled. The mermaids singing, each to each. I do not think that they will sing to
me.
I go up the steps and take a seat about fifteen feet to the left of the bronze statue of Alma
Mater. This is my office in fair weather or foul. The students know where to look for me, and
when I’m there the word quickly spreads. There are five or six other people who provide the
service I provide—impecunious graduate students, mostly, down on their luck—but I’m the
quickest and most reliable, and I have an enthusiastic following. Today, though, business gets off
to a slow start. I sit for twenty minutes, fidgeting, peering into Beckett, staring at Alma Mater.
Some years ago a radical bomber blew a hole in her side, but there’s no sign of the damage now.
I remember being shocked at the news, and then shocked at being shocked—why should I give a
damn about a dumb statue symbolic of a dumb school? That was about 1969, I guess. Back in the
Neolithic.
“Mr. Selig?”
Big brawny jock looming above me. Colossal shoulders, chubby innocent face. He’s
deeply embarrassed. He’s taking Comp Lit 18 and needs a paper fast, on the novels of Kafka,
which he hasn’t read. (This is the football season; he’s the starting halfback and he’s very very
busy.) I tell him the terms and he hastily agrees. While he stands there I covertly take a reading of
him, getting the measure of his intelligence, his probable vocabulary, his style. He’s smarter than
he appears. Most of them are. They could write their own papers well enough if they only had the
time. I make notes, setting down my quick impressions of him, and he goes away happy. After
that, trade is brisk: he sends a fraternity brother, the brother sends a friend, the friend sends one of
his
fraternity brothers, a different fraternity, and the daisy-chain lengthens until by early
afternoon I find I’ve taken on all the work I can handle. I know my capacity. So all is well. I’ll
eat regularly for two or three weeks, without having to tap my sister’s grudging generosity. Judith
will be pleased not to hear from me. Home, now, to begin my ghostly tasks. I’m good—glib,
earnest, profound in a convincingly sophomoric way—and I can vary my styles. I know my way
around literature, psychology, anthropology, philosophy, all the soft subjects. Thank God I kept
my own term papers; even after twenty-odd years they can still be mined. I charge $3.50 a typed
page, sometimes more if my probing reveals that the client has money. A minimum grade of B+
guaranteed or there’s no fee. I’ve never had to make a refund.
TWO.
When he was seven and a half years old and causing a great deal of trouble for his third-
grade teacher, they sent little David to the school psychiatrist, Dr. Hittner, for an examination.
The school was an expensive private one on a quiet leafy street in the Park Slope section of
Brooklyn; its orientation was socialist-progressive, with a smarmy pedagogical underpinning of
warmed-over Marxism and Freudianism and John Deweyism, and the psychiatrist, a specialist in
the disturbances of middle-class children, paid a call every Wednesday afternoon to peer into the
soul of the current problem child. Now it was David’s turn. His parents gave their consent, of
course. They were deeply concerned about his behavior. Everyone agreed that he was a brilliant
child: he was extraordinarily precocious, with a reading-comprehension score on the twelve-year-
old level, and adults found him almost frighteningly bright. But he was uncontrollable in class,
raucous, disrespectful; the schoolwork, hopelessly elementary for him, bored him to desperation;
his only friends were the class misfits, whom he persecuted cruelly; most of the children hated
him and the teachers feared his unpredictability. One day he had up-ended a hallway fire
extinguisher simply to see if it would spray foam as promised. It did. He brought garter snakes to
school and let them loose in the auditorium. He mimed classmates and even teachers with vicious
accuracy. “Dr. Hittner would just like to have a little chat with you,” his mother told him. “He’s
heard you’re a very special boy and he’d like to get to know you better.” David resisted, kicking
up a great fuss over the psychiatrist’s name. “Hitler? Hitler? I don’t want to talk to Hitler!” It was
the fall of 1942 and the childish pun was an inevitable one, but he clung to it with irritating
stubbornness. “Dr. Hitler wants to see me. Dr. Hitler wants to get to know me.” And his mother
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